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As
a nineteenth-century contemporary of the exceedingly popular paisley
and Kashmir shawls, the Chinese embroidered shawl’s exotic flare held
similar mass-appeal among Victorian women. Now recognized primarily
as part of Spain’s national costume, it was not until the Chinese shawl’s
resurgence in popularity in the 1920s that the name "Spanish shawl"
became synonymous with this distinctly Chinese export. When the Europe-bound
shawls from China first gained notoriety around 1820, they were referred
to as "China crape shawls" (Worth 1986:47). Not only did the
novel themes and foreign motifs appeal to a fashionable Victorian woman’s
taste for the "Orient," the intricately worked embroidery
was admired by those whose childhood lessons in needlework had fostered
appreciation for the fine workmanship.
Starting in the early nineteenth century, workshops
were set up in Canton, China specifically for the purpose of turning
out these embellished accessories. Chinese workers were paired up on
a single frame, seated across from one another with both women working
towards the center of the taut silk. One woman’s stitches often mirrored
the other’s work, resulting in a symmetrically composed shawl. Utilizing
satin stitch almost entirely, with minimal addition of Peking knots
and chain stitches, these pieces abounded with flowers, vines, butterflies,
and birds. More unusual examples included images of explicitly Chinese
figures, architecture, and symbolic iconography.
Although
this piece dating from 1865 to1879, is an example of a Chinese shawl at
the end of their vogue, the rarity of such distinctly Chinese motifs,
careful composition, and delicately executed embroidery from this era is
cause for special attention. The
embroidery is so finely worked as to make it nearly impossible to
differentiate the back side from the front, a fact that is captured in
the accompanying digital photograph. A virtual mirror image is created when comparing a front view of
the corner snail with a picture of the same motif taken from the back
side.
For
further discussion of the history of the Spanish shawl, see the article "Unwrapping the ´Spanish´ Shawl’s Chinese
Past", in the HLATC
Newsletter, Fall 2001.
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